COMING SOON

ARRI Alexa-35 4K anamorphic with ARRIRAW

4K Anamorphic & S-35 capability

New true 4K replacement to ARRI Alexa Mini with 17 stops of dynamic range, 120p capture at 4K; on board RAW and full open gate anamorphic capability, courtesy of the 4:3 native sensor.  New modular platform allows custom accessorisation with optional audio or power distribution modules so can be configured to be like the Alexa Mini or Amira depending on preference and application.

Manufacturer - ARRI

Mount - EF Mount, LPL Mount, PL Mount

Sensor Size/Coverage - Super-35, Super-35 Anamorphic (4:3)

Media Standard - CODEX

Capture Resolution - 4K


Main Features
- Native 4:3 Super-35 sensor (4608 x 3164 / Ø 33.96 mm / 1.337?)
- 17 stops of dynamic range (exposure latitude), which is 1.5 stops more in the highlights and one stop more in the shadows than previous ALEXA cameras
- 2 x 4K outputs
- 90W camera draw (native 26V).
- Choice of audio extension or power distribution modules allow specific configurations of camera to be like previous Alexa Mini or Amira.
- Up to 120p capture at 4K
- PL, LPL or EF lens mount
- Same CODEX storage as Alexa Mini LF
- Native ASA of 6400.
- Extremely sensitive in low light with very low noise.
- HDR monitoring in EVF.
- 12 second prerecord capability.
- ‘Textures’ can be burnt-in if desired.
- RAW or applied LUT available on outputs.

With low noise and sensitivity settings ranging from EI 160 to EI 6400, ALEXA 35 is a “High ISO” camera. An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in low light. This exceptional sensitivity, combined with the wider dynamic range and stray-light suppression, allows ALEXA 35 to capture the most delicate nuances of light and shadow in more situations than ever before.



Sensor Type

Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern colour filter array

Sensor Photosites and Size

4608 x 3164 / Ø 33.96 mm / 1.337?

Sensor Frame Rates

0.75 – 120 fps

Project Frame Rates

23.976, 24, 25, 29.97, 30, 47.952, 48, 50, 59.94, 60 fps

Weight

2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS))

Photosite Pitch

6.075 ?m

Active Image Area (Dimensions):

4.6K 3:2 Open Gate

28.00 x 19.20 mm / 1.102 x 0.756?

4.6K 16:9

28.00 x 15.70 mm / 1.102 x 0.618?

4K 16:9

24.90 x 14.00 mm / 0.980 x 0.551?

4K 2:1

24.90 x 12.40 mm / 0.980 x 0.490?

3.3K 6:5

20.22 x 16.95 mm / 0.796 x 0.693?

3K 1:1

18.70 x 18.70 mm / 0.737 x 0.737

2.7K 8:9

16.70 x 18.70 mm / 0.656 x 0.738?

2K 16:9 S16

12.40 x 7.00 mm / 0.490 x 0.276?

Image Circle:

4.6K 3:2 Open Gate

33.96 mm / 1.337?

4.6K 16:9

32.10 mm / 1.264?

4K 16:9

28.57 mm / 1.125?

4K 2:1

27.82 mm / 1.095?

3.3K 6:5

26.38 mm / 1.039?

3K 1:1

26.45 mm / 1.041?

2.7K 8:9

25.09 mm / 0.988?

2K 16:9 S16

14.24 mm / 0.561?

Active Image Area (Photosites):

4.6K 3:2 Open Gate

4608 x 3164

4.6K 16:9

4608 x 2592

4K 16:9

4096 x 2304

4K 2:1

4096 x 2048

3.3K 6:5

3328 x 2790

3K 1:1

3072 x 3072

2.7K 8:9

2743 x 3086

2K 16:9 S16

2048 x 1152

Recording Resolution (Pixel) – Max fps* (1TB / 2TB Drive):

4.6K 3:2 Open Gate

4.6K (4608 x 3164) – 35 / 75 fps (ARRIRAW), 60 / 60 fps (Apple ProRes)

4.6K 16:9

4.6K (4608 x 2592) – 45 / 75 fps (ARRIRAW)

4K (4096 x 2304) – 75 / 75 fps (Apple ProRes)

4K 16:9

4K (4096 x 2304) – 55 / 120 fps (ARRIRAW), 100 / 100 fps (Apple ProRes)

UHD (3840 x 2160) – 120 / 120 fps (Apple ProRes)

2K (2048 x 1152) – 120 / 120 fps (Apple ProRes)

HD (1920 x 1080) – 120 / 120 fps (Apple ProRes)

4K 2:1

4K (4096 x 2048) – 65 / 120 fps (ARRIRAW), 120 / 120 fps (Apple ProRes)

3.3K 6:5

3.3K (3328 x 2790) – 55 / 100 fps (ARRIRAW), 75 / 75 fps (Apple ProRes)

4K 2.39:1 Ana. 2x (4096 x 1716) – 90 / 90 fps (Apple ProRes)

3K 1:1

3K (3072 x 3072) – 55 / 100 fps (ARRIRAW), 90 / 90 fps (Apple ProRes)

3.8K 2:1 Ana. 2x (3840 x 1920) – 100 / 100 fps (Apple ProRes)

2.7K 8:9

UHD 16:9 Ana. 2x (3840 x 2160) – 100 / 100 fps (Apple ProRes)

2K 16:9 S16

2K (2048 x 1152) – 120 / 120 fps (Apple ProRes)

Exposure Index

Adjustable from EI 160 – 6400 in 1/3 stops

Dynamic Range

17 stops (2.5 more than with previous ALEXA cameras)

Shutter

Electronic shutter, 5.0°- 356° or 1s – 1/8000s

Recording Codecs

MXF/ARRIRAW

MXF/Apple ProRes 4444 XQ

MXF/Apple ProRes 4444

MXF/Apple ProRes 422 HQ

Recording Media

Codex Compact Drive 1TB (CA08-1024), Codex Compact Drive 2TB (CB16-2048)

Recording Modes

Standard real-time recording, Pre-recording

Viewfinder Type

Multi Viewfinder MVF-2 with OLED viewfinder display (1920 x 1080) and 4? LCD flip-out monitor (800 x 400)

Viewfinder Diopter

Adjustable from -5 to +5 diopters

Colour Output

Rec 709, Rec 2020, Rec 2100 PQ, Rec 2100 HLG, LogC4

Look Control

ARRI Textures

Custom colour look (through ARRI Look File ALF4 or ARRI Look Library)

White Balance

Manual and auto white balance, adjustable from 2000K to 11000K

Colour correction adjustable from -16 to +16 CC

(1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values)

Filters

Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8

Fixed optical low pass, UV, IR filter

Lens Squeeze Factors

1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00

Exposure and Focus Tools

False Colour, Zoom, Aperture and Colour Peaking

Audio Recording

4 channel linear PCM (24 bit, 48 kHz)

Image Outputs

2x VF custom CoaXPress connectors for MVF-2 viewfinder

2x 12G SDI (BNC) 422 1.5G HD, 422 3G HD, 444 3G HD, 422 6G UHD, 422 12G UHD, 444 12G UHD

Interfaces

1x LBUS (LEMO 4-pin) for lens motors, daisy chainable

1x SERIAL (LEMO 4-pin) for distance measuring accessories

1x TC (LEMO 5-pin) for timecode In/Out

1x ETH (LEMO 10-pin) for remote control and service

1x SYNC IN (BNC) for Genlock synchronization

1x RET IN (BNC, switchable on SDI 2)

1x USB-C for user setups, look files etc

1x Rear Interface (18-pin Pogo)

1x Top Interface (5-pin Pogo)

Audio Inputs

1x AUDIO (LEMO 6-pin) for balanced stereo line in

(line input max. level +24 dBu correlating to 0 dBFS)

Two built-in microphones for scratch audio

With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES)

Audio Outputs

1x 3.5 mm stereo headphone connector (on MVF-2)

2x SDI (embedded audio)

Power Inputs

1x PWR (LEMO 8-pin)

1x BAT (camera rear interface / battery adapter)

20.5 – 33.6 V DC

Power Outputs

1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse

1x 12 V (LEMO 2-pin) for 12 V accessory power out

1x LBUS (LEMO 4-pin) for lens motors & 24 V power out, daisy-chainable

1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out

1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out

With Power Distribution Module PDM-1: additionally 4x 24 V, 2x 12 V and 1x D-Tap

Remote Control Options

Camera Companion App

ARRI Electronic Control System (ECS)

Web-based remote control from phones, tablets and laptops via WiFi & Ethernet

Camera Access Protocol (CAP) via WiFi & Ethernet

GPIO interface for integration with custom control interface

Wireless Interfaces

Built-in WiFi module (IEEE 802.11b/g)

Built-in White Radio for ARRI ECS lens and camera remote control

Lens Mounts & Adapters

ARRI LPL Mount (LBUS)

ARRI PL-to-LPL Adapter

ARRI PL Mount (LBUS)

ARRI PL Mount (Hirose)

ARRI EF Mount (LBUS)

Leitz M Mount for ARRI

Flange Focal Depth

LPL Mount: 44 mm , PL mount: 52 mm

Power Consumption

~ 90 W (Camera body and MVF-2)

Measurements (HxWxL)

147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0? (camera body with LPL lens mount)

Operating Temperature

-20° C to +45° C / -4° F to +113° F @ 0-95% RH

Storage Temperature

-30° C to +70° C / -22° F to +158° F

IP Rating

IP 51

Sound Level

< 20 dB(A) at 30 fps, recording 4K 16:9 – UHD, Apple ProRes 4444 XQ, ? +30° ambient temperature

Licenses

ALEXA 35 Cine License